Ekasarana Dharma of Srimanta Sankardev

Ekasarana Dharma of Srimanta Sankardev

Ekasarana Dharma was a powerful monotheistic Bhakti movement started in Assam during the 15th–16th century by the great saint and reformer Srimanta Sankardev.

It was not just a religious idea—it was a complete cultural revolution that transformed:

    • Religion

    • Society

    • Language

    • Literature

    • Art and performance traditions

At a time when society was divided by caste, rituals, and inequality, Ekasarana Dharma offered a simple, inclusive, and spiritual path for everyone.

Origin and Core Teachings

Who was Srimanta Sankardev?

  • Born in 1449 CE

  • A saint, poet, philosopher, playwright, and social reformer

  • Travelled across India and absorbed ideas from the Bhakti movement

He realized that religion had become:

    • Too ritualistic

    • Controlled by Brahmins

    • Difficult for common people to follow

So, he introduced a simplified and accessible form of devotion.

Core Teachings of Ekasarana Dharma

1. Monotheism (One God)
  • Worship of one supreme God — Lord Krishna (Vishnu)

  • Rejection of polytheism

2. Rejection of Ritualism
  • No need for:

    • Costly rituals

    • Sacrifices

    • Complex ceremonies

Example: A poor farmer could worship God simply by chanting his name, without needing priests or expensive offerings.

3. Equality and Social Reform
  • Rejected:

    • Caste discrimination

    • Social hierarchy

  • Promoted:

    • Equality among all devotees

Example: People from different castes could sit together in a Namghar and pray equally.

4. Devotion (Bhakti) as the Only Path

  • Salvation (moksha) can be achieved through:

    • Pure devotion

    • Faith in God

Why It Was Revolutionary
Old SystemEkasarana Dharma
Ritual-based religionDevotion-based religion
Caste hierarchyEquality
Priest dominanceDirect connection with God
Idol worshipNaam (chanting)

Four Principles – The Foundation of Ekasarana Dharma

The movement is based on four pillars known as “Chatir Sadhana”.

1. Naam (Holy Name of God)

  • Continuous chanting of Krishna’s name

  • Believed to:

    • Purify the mind

    • Remove sins

    • Lead to salvation

Example: Group chanting in Namghars creates a spiritual and peaceful atmosphere.

2. Deva (One God)

  • Worship of Krishna as the Supreme Being

  • Strictly monotheistic

  • No idol worship

3. Guru (Spiritual Teacher)

  • The Guru guides the devotee towards spiritual knowledge

  • First Guru: Srimanta Sankardev

Example: A disciple learns discipline, values, and devotion through the Guru.

4. Bhakat (Community of Devotees)

  • Importance of community worship

  • Encourages:

    • Unity

    • Equality

    • Mutual respect

Summary Table
PrincipleMeaningImportance
NaamChanting God’s nameSpiritual purification
DevaOne God (Krishna)Focused devotion
GuruSpiritual guideKnowledge and discipline
BhakatDevotee communitySocial unity

Sattras and Namghars – Institutional Backbone

Sattras (Monastic Institutions)

Sattras are religious and cultural centres established by Sankardev and his disciple Madhavdev.

Functions of Sattras
    • Worship and prayer

    • Education and learning

    • Preservation of art and culture

    • Social reform

Leadership
    • Headed by a Satradhikar

Famous Sattras
    • Barpeta Sattra

    • Kamalabari Sattra

    • Auniati Sattra

Namghars (Village Prayer Halls)

  • Found in almost every Assamese village

  • Used for:

    • Prayer (Naam-Kirtan)

    • Meetings

    • Cultural programs

Example: Villagers gather in Namghars to resolve disputes peacefully, making it a social as well as spiritual center.

Importance of Sattras and Namghars

  • Promoted grassroots democracy

  • Built community bonding

  • Encouraged moral discipline

Artistic Contributions of Ekasarana Dharma– Religion Through Art

Ekasarana Dharma transformed devotion into living art forms.

1. Borgeet (Devotional Songs)

  • Composed by:

    • Sankardev

    • Madhavdev

  • Based on classical ragas

  • Written in Assamese

Theme

  • Love and surrender to Krishna

Example: Borgeets are still sung in Namghars during prayer sessions.

2. Ankia Naat (Religious Drama)

  • One-act plays written in Brajavali language

  • Performed in:

    • Sattras

    • Namghars

Features

  • Music

  • Dance

  • Dialogue

Famous Work: Chihna Yatra by Sankardev

3. Sattriya Dance

  • Originated in Sattras

  • Now recognized as one of India’s classical dance forms

Key Features
  • Expresses Bhakti rasa (devotion)

  • Uses hand gestures (mudras)

  • Tells stories of Krishna

Summary of Artistic Forms
Art FormTypePurpose
BorgeetMusicDevotional singing
Ankia NaatDramaReligious storytelling
Sattriya DanceDanceExpression of devotion

Philosophy and Krishna Worship

Philosophical Base

Ekasarana Dharma is based on:

    • Bhagavata Purana

    • Vaishnavism

Key Philosophical Ideas

1. Monotheism
  • Krishna is the Supreme Reality

2. Nivrutti Marga (Path of Renunciation)
  • Focus on:

    • Detachment

    • Self-discipline

    • Spiritual growth

3. Opposition to Orthodoxy

Rejected:

    • Idol worship

    • Complex rituals

    • Brahminical dominance

4. Universal Equality
  • All humans are equal in the eyes of God

Example: A tribal devotee and a Brahmin were treated equally in prayer gatherings.

Impact of Ekasarana Dharma on Assamese Society

Ekasarana Dharma brought:

    • Social equality

    • Cultural unity

    • Religious simplicity

    • Growth of Assamese language

It played a major role in shaping modern Assamese identity.

Ekasarana Dharma was not just a religion—it was a social reform movement that:

    • Simplified spirituality

    • United society

    • Promoted art and culture

Ekasarana Dharma showed that true devotion does not need wealth, rituals, or status—only faith and a pure heart.

Citations

1. Maheswar Neog. (1965). Early History of the Vaisnava Faith and Movement in Assam: Sankaradeva and His Times. Guwahati: Lawyer’s Book Stall.

2. H. K. Barpujari (Ed.). (1992). The Comprehensive History of Assam, Vol. II. Guwahati: Publication Board Assam.

3. S. N. Sarma. (1999). The Neo-Vaishnavite Movement and the Satra Institution of Assam. Guwahati: Gauhati University.

4. E. A. Gait. (1906). A History of Assam. Calcutta: Thacker, Spink & Co.

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